Permanent Collection

15 results

New Additions: Vladimir Cybil Charlier

by Habiba Hopson

Vladimir Cybil Charlier, Billie Zulie, 1997. Aluminum, fabric, acrylic, sequins, beads, and hardware. Open: 8 x 13 x 5 in. (20.3 x 33 x 12.7 cm). The Studio Museum in Harlem; gift of the artist  2022.9. Photo: John Berens

Vladimir Cybil Charlier, Billie Zulie, 1997. Aluminum, fabric, acrylic, sequins, beads, and hardware. Open: 8 x 13 x 5 in. (20.3 x 33 x 12.7 cm). The Studio Museum in Harlem; gift of the artist  2022.9. Photo: John Berens

New Additions: Zora J Murff

by Habiba Hopson

<p>Zora J Murff, <em>Garden with Fruit (After Charles Ethan Porter)</em>, 2020. Archival Pigment Print, 16 × 20 In. Studio Museum in Harlem; Museum purchase with funds provided by Miyoung Lee 2022.23</p>

<p>Zora J Murff, <em>Garden with Fruit (After Charles Ethan Porter)</em>, 2020. Archival Pigment Print, 16 × 20 In. Studio Museum in Harlem; Museum purchase with funds provided by Miyoung Lee 2022.23</p>

Collecting a Legacy: New Acquisitions

by Joshua Bell and Connie H. Choi

<p>Genevieve Gaignard, <em>So She Passed </em>(detail), 2017. Mixed-media installation. The Studio Museum in Harlem; gift of Genevieve Gaignard Grassroots 2018.1. Courtesy the artist</p>

<p>Genevieve Gaignard, <em>So She Passed </em>(detail), 2017. Mixed-media installation. The Studio Museum in Harlem; gift of Genevieve Gaignard Grassroots 2018.1. Courtesy the artist</p>

New Additions: Brandon Ndife

by Habiba Hopson

<p>Brandon Ndife</p>
<p><em>A Master's Tools</em><br />2022<br />Cast insulation foam, aquaresin, resin, soil, glue, wood, enamel paint, oil paint, ceramic plates, forks, various hardware<br />35 x 28 x 37 in.<br />Studio Museum in Harlem; gift of Burton Aaron<br />2023.22.2</p>

<p>Brandon Ndife</p>
<p><em>A Master's Tools</em><br />2022<br />Cast insulation foam, aquaresin, resin, soil, glue, wood, enamel paint, oil paint, ceramic plates, forks, various hardware<br />35 x 28 x 37 in.<br />Studio Museum in Harlem; gift of Burton Aaron<br />2023.22.2</p>

Collection in Context: The Stoop

by Adaiya Granberry, former Robert Rauschenberg Curatorial Fellow

<p>Stephanie Weaver, <em>Hallelujah</em>, 1971. Oil on board, 72 3/4 × 48 in. Gift of the artist 1972.7. Photo: Zalika Azim</p>

<p>Stephanie Weaver, <em>Hallelujah</em>, 1971. Oil on board, 72 3/4 × 48 in. Gift of the artist 1972.7. Photo: Zalika Azim</p>

Unpacking the Studio Museum: Our Museum

A hand with a drill working on wood panels on a white wall.

A hand with a drill working on wood panels on a white wall.

Conserving Tom Lloyd

Collection in Context: Sports

by Simon Ghebreyesus

<p>Mark Bradford, <em>Untitled</em>, 2009. Mixed media, papier mache, and collage, 9 1/2 in. diamters. The Studio Museum in Harlem; bequest of Peggy Cooper Cafritz (1947–2018), Washington, D.C. collector, educator, and activist 2018.40.41 © Mark Bradford. Courtesy the artist and Hauser & Wirth</p>

<p>Mark Bradford, <em>Untitled</em>, 2009. Mixed media, papier mache, and collage, 9 1/2 in. diamters. The Studio Museum in Harlem; bequest of Peggy Cooper Cafritz (1947–2018), Washington, D.C. collector, educator, and activist 2018.40.41 © Mark Bradford. Courtesy the artist and Hauser & Wirth</p>

by Connie H. Choi, Simone Leigh, Kambui Olujimi, Tschabalala Self, Hank Willis Thomas, and William Villalongo

<p>Peggy Cooper Cafritz of Dupont Circle lounges in her home full of collected art pieces, on August 26 in Washington, DC. Photo: April Greer for the Washington Post via Getty Images</p>

<p>Peggy Cooper Cafritz of Dupont Circle lounges in her home full of collected art pieces, on August 26 in Washington, DC. Photo: April Greer for the Washington Post via Getty Images</p>

Their Own Harlems

07.20.17 – 01.15.2018

08.10.17 – 08.27.2017

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