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Artworks

A.R.T. (in the new world order), 1994

  • Artist

    Willie Cole

  • Title

    A.R.T. (in the new world order)

  • Date

    1994

  • Medium

    Oil stick on blackboard

  • Dimensions

    Frame: 18 × 24 × 1 in. (45.7 × 61 × 2.5 cm)

  • Edition

    32/48

  • Credit line

    The Studio Museum in Harlem; Museum purchase made possible by a gift from E.T. Wiiliams and Auldlyn Higgins Williams

  • Object Number

    2004.6.19

Expanding on his use of everyday materials, Willie Cole here uses the blackboard to layer associations. In a handwritten scrawl, he creates alternate meanings through short phrases composed of words beginning with the letters A, R, and T. Writing over words with a bright red oil stick while leaving the original word visible, he creates calculated word juxtapositions (removable and religious, Rauschenberg and Rembrandt). The phrases evoke two themes that are often referenced in the artist’s works: the interrogation of an object's role within a society, and the subjectivity of material value.


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Artworks

A.R.T. (in the new world order), 1994

  • Artist

    Willie Cole

  • Title

    A.R.T. (in the new world order)

  • Date

    1994

  • Medium

    Oil stick on blackboard

  • Dimensions

    Frame: 18 × 24 × 1 in. (45.7 × 61 × 2.5 cm)

  • Edition

    32/48

  • Credit line

    The Studio Museum in Harlem; Museum purchase made possible by a gift from E.T. Wiiliams and Auldlyn Higgins Williams

  • Object Number

    2004.6.19

Expanding on his use of everyday materials, Willie Cole here uses the blackboard to layer associations. In a handwritten scrawl, he creates alternate meanings through short phrases composed of words beginning with the letters A, R, and T. Writing over words with a bright red oil stick while leaving the original word visible, he creates calculated word juxtapositions (removable and religious, Rauschenberg and Rembrandt). The phrases evoke two themes that are often referenced in the artist’s works: the interrogation of an object's role within a society, and the subjectivity of material value.


Explore further