Studio magazine is a leading art publication with a focus on contemporary artists of African descent. In its second decade, Studio continues to celebrate artists and inform audiences through thought-provoking essays, insightful conversations,
and more.
New Additions is a series of interviews with artists whose work was newly acquired in the Studio Museum's permanent collection.
Participants from Expanding the Walls recently took a tour around Harlem with architectural historian John Reddick.
For our 2017 issue of Studio, Communications Director Elizabeth Gwinn interviewed artists Dawoud Bey and Njideka Akunyili Crosby. Both artists are 2017 recipients of the prestigious MacArthur Fellowship, or “genius grant,” awarded annually to talented individuals who have shown extraordinary originality and dedication in their creative or intellectual pursuits.
inHarlem: Kevin Beasley, Simone Leigh, Kori Newkirk, Rudy Shepherd is the first in a series of artist projects that take our institution beyond its walls.
The 2019—20 Teen Leadership Council Participants discuss their ideas, dreams, art, and reasons why they joined the program at The Studio Museum in Harlem.
Expanding the Walls, 2020 participants brought a personally meaningful object to create a collective piece that represents who they are at this moment, as individuals and as a community.
Archives are witnesses of the past.1 They are testaments of existence and occupancy.
Arranging and describing an archival collection is called processing, and processing is ruled by a foundational principle called respect des fonds.
As I continue with my fellowship in the Studio Museum archive, I have come to fully appreciate the role the Museum plays as an influencer of Black culture across the world.
As a Curatorial Intern at the Studio Museum in Harlem, it has been exciting to work behind the scenes as part of the planning process of exhibitions supporting the Museum’s mission as a site for th
The Studio Museum was founded in 1968 amidst an atmosphere of national and global activism. The year brought the collective shock over the assassinations of Martin Luther King Jr. and Robert F.
The Studio Museum in Harlem came into being as a space to support artists of the African diaspora, who, throughout history, had been largely shut out of exhibition and commercial opportunities.
