Studio Museum in Harlem Our New Building

Studio Magazine Biannual

17 results

On the Cover: One People Unite

On the Cover: Tadáskía’s ave preta mística mystical black bird

Amy Sall Recommends

<p>Amy Sall. Photo: Trecey Cunningham<br /></p>

<p>Amy Sall. Photo: Trecey Cunningham<br /></p>

New Additions: Derek Fordjour

by Habiba Hopson

PRECEEDING: DEREK FORDJOUR & NICK LEHANE, FLY AWAY (PRODUCTION STILL), 2020. DIGITAL FILM, TRT: 00:32:27. STUDIO MUSEUM IN HARLEM; GIFT
OF NICOLAS MOUROT 2022.3; COURTESY DEREK FORDJOUR, NICK LEHANE, AND PETZEL GALLERY, NEW YORK. PHOTO: FREDDIE RANKIN II

PRECEEDING: DEREK FORDJOUR & NICK LEHANE, FLY AWAY (PRODUCTION STILL), 2020. DIGITAL FILM, TRT: 00:32:27. STUDIO MUSEUM IN HARLEM; GIFT
OF NICOLAS MOUROT 2022.3; COURTESY DEREK FORDJOUR, NICK LEHANE, AND PETZEL GALLERY, NEW YORK. PHOTO: FREDDIE RANKIN II

On View in Edges of Ailey at the Whitney Museum: Maren Hassinger, River; James Van Der Zee, Choir Boy

by Jason Overby Jr.

<p>James Van Der Zee, <em>Choir Boy</em>, 1937. Gelatin silver print, Image: 8 × 5 in. Studio Museum in Harlem; Gift of the Sandor Family Collection 2000.11.13</p>

<p>James Van Der Zee, <em>Choir Boy</em>, 1937. Gelatin silver print, Image: 8 × 5 in. Studio Museum in Harlem; Gift of the Sandor Family Collection 2000.11.13</p>

Legacy Russell Recommends

<p>Legacy Russell with her book <em>Black Meme: A History of the Images That Make Us</em> (Verso 2024). Photo: Deonté Lee</p>

<p>Legacy Russell with her book <em>Black Meme: A History of the Images That Make Us</em> (Verso 2024). Photo: Deonté Lee</p>

On the Cover: Norman Lewis, Bonfire

<p>Norman Lewis, <em>Bonfire</em>, 1962. Oil on canvas, 64 × 49 7/8 in. Studio Museum in Harlem; gift of the Estate of Norman Lewis 1981.1.2. Photo: Marc Bernier © Estate of Norman Lewis, Courtesy Michael Rosenfeld Gallery LLC, New York, NY</p>

<p>Norman Lewis, <em>Bonfire</em>, 1962. Oil on canvas, 64 × 49 7/8 in. Studio Museum in Harlem; gift of the Estate of Norman Lewis 1981.1.2. Photo: Marc Bernier © Estate of Norman Lewis, Courtesy Michael Rosenfeld Gallery LLC, New York, NY</p>

Staff Picks: Wangechi Mutu, Chocolate Nguva, 2015

by Edith Bolton, Executive Assistant

<p>Wangechi Mutu, <em>Chocolate Nguva</em>, 2015. Patinated bronze with marble base, 10 × 16 × 14 in. Studio Museum in Harlem; Museum purchase with funds provided by Holly Peterson 2017.23a-b. Photo: John Berens</p>

<p>Wangechi Mutu, <em>Chocolate Nguva</em>, 2015. Patinated bronze with marble base, 10 × 16 × 14 in. Studio Museum in Harlem; Museum purchase with funds provided by Holly Peterson 2017.23a-b. Photo: John Berens</p>

Celebrating Twenty-Five Years of Expanding the Walls

by Chloe Hayward

<p>A participant takes pictures in Harlem using a Polaroid camera for an assignment, 2006</p>

<p>A participant takes pictures in Harlem using a Polaroid camera for an assignment, 2006</p>

Twenty Five Years of Expanding the Walls

by Chloe Hayward

Three young people stand in a group looking to towards the right, the person on the left is wearing a beanie and pointing his hands out to the same direction that the group is looking towards.

Three young people stand in a group looking to towards the right, the person on the left is wearing a beanie and pointing his hands out to the same direction that the group is looking towards.

Glenn Ligon, Sketch for Give Us a Poem, 2025

by Meg Whiteford

The word "Me" outlined in black and filled in with Red sits atop the word "We" outlined in black and filled in in green.

The word "Me" outlined in black and filled in with Red sits atop the word "We" outlined in black and filled in in green.

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