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Studio Museum in HarlemOur New Building
Studio Museum in HarlemOur New Building

Harlem Postcards Winter 2005

01.26-03.27.2005

Daniel Joseph Martinez B. 1957, Los Angeles, CA, Lives and works in Los Angeles, CA SOUL (Self Portrait in Harlem), 2004
Daniel Joseph Martinez B. 1957, Los Angeles, CA, Lives and works in Los Angeles, CA SOUL (Self Portrait in Harlem), 2004 

How it is possible to escape the logic that consists in formulating one’s own disappearance or one’s own incapacity to produce meaning? 125th and Lenox, November 4th, 2004

Jean Shin B. 1971, Seoul, Korea Lives and works in Brooklyn, NY Found Installation (Colored Belts), 2004
Jean Shin B. 1971, Seoul, Korea Lives and works in Brooklyn, NY Found Installation (Colored Belts), 2004 
Do-Ho Suh B. 1962, Seoul, Korea Lives and works in New York, NY Harlem Sky, 2004
Do-Ho Suh B. 1962, Seoul, Korea Lives and works in New York, NY Harlem Sky, 2004 

Do- Ho Suh is interested in the malleability of space in both its physical and metaphorical manifestations through the formation of his site specific installations that question the boundaries of identity. His work explores the relation between individuality, collectivity, and anonymity.

Harlem Postcards Winter 2005

01.26-03.27.2005

Daniel Joseph Martinez B. 1957, Los Angeles, CA, Lives and works in Los Angeles, CA SOUL (Self Portrait in Harlem), 2004
Daniel Joseph Martinez B. 1957, Los Angeles, CA, Lives and works in Los Angeles, CA SOUL (Self Portrait in Harlem), 2004 

How it is possible to escape the logic that consists in formulating one’s own disappearance or one’s own incapacity to produce meaning? 125th and Lenox, November 4th, 2004

Jean Shin B. 1971, Seoul, Korea Lives and works in Brooklyn, NY Found Installation (Colored Belts), 2004
Jean Shin B. 1971, Seoul, Korea Lives and works in Brooklyn, NY Found Installation (Colored Belts), 2004 
Do-Ho Suh B. 1962, Seoul, Korea Lives and works in New York, NY Harlem Sky, 2004
Do-Ho Suh B. 1962, Seoul, Korea Lives and works in New York, NY Harlem Sky, 2004 

Do- Ho Suh is interested in the malleability of space in both its physical and metaphorical manifestations through the formation of his site specific installations that question the boundaries of identity. His work explores the relation between individuality, collectivity, and anonymity.