Harlem Postcards Summer 2011

07.14-10.23.2011

Genesis Valencia

Expanding the Walls participant, born 1993 LaGuardia Arts High School, New York, NY

Hands With a Heart, 2011
Genesis Valencia Expanding the Walls participant, born 1993 LaGuardia Arts High School, New York, NY Hands With a Heart, 2011 

I was walking along the streets of Harlem when I heard the sound of drums fill the air. I made my way toward the music and was pleasantly surprised to find this group of men sitting under the Adam Clayton Powell statue on 125th Street. The group was large—men both young and old laughed and smiled together as their hands tapped rapidly along the drums’ surface. Their cheer was contagious; a crowd formed as the music brightened the environment. Onlookers clapped and cheered as the festive drumming brought warmth to their souls. Even I, tired as I was, tapped my feet and moved to the rhythm. I quickly brought out my camera and began to snap pictures. This is Harlem, I thought, a world of its own full of culture, color and energy.

Tribble & Mancenido

James Frank Tribble (Born 1983, Columbia, SC) Tracey Mancenido-Tribble (Born 1980, Staten Island, NY) Live and work in Jersey City, NJ

I Love You, Harlem, 2011
Tribble & Mancenido James Frank Tribble (Born 1983, Columbia, SC) Tracey Mancenido-Tribble (Born 1980, Staten Island, NY) Live and work in Jersey City, NJ I Love You, Harlem, 2011 

We created a “Found In Harlem” series focusing on the commodities one finds on 125th Street—African fabrics, incense and oils, books, mix-tape-style CDs, etc—staying clear of the corporate chain stores that are dramatically altering the landscape. We felt that it was important to document what has made, and continues to make Harlem so unique. These individual merchants and their goods are a large part of that. I Love You, Harlem is a celebration of Harlem as a place and an idea, in both past and present.

Senetchut Floyd

Expanding the Walls participant, born 1995 Kamit Preparatory Institute, Brooklyn, NY

Faceless, 2011
Senetchut Floyd Expanding the Walls participant, born 1995 Kamit Preparatory Institute, Brooklyn, NY Faceless, 2011 

St. Nicholas and West 125th Street. I sit here watching the people, calling out to them, calling for them to come and read me or have a conversation, but no one comes, no one notices me. I am faceless.

Phillip Pisciotta

Born 1970, Bryn Mawr, PA Lives and works in New York, NY

What Is Won by “Continuing to Play,” East Harlem, NYC, 2006
Phillip Pisciotta Born 1970, Bryn Mawr, PA Lives and works in New York, NY What Is Won by “Continuing to Play,” East Harlem, NYC, 2006 

This photograph was taken quickly. There is nothing canned about it. The man in the photograph lived down the street from me. I had attempted to photograph him a number of times, but the information in the frame of the photograph(s) didn't quite come together. Sometimes it is helpful for an artist to stay in an area—to saturate. But other times it can make work tired and stale. As luck would have it, the potential of the image presented itself, and I had my camera with me.

Harlem Postcards Summer 2011

07.14-10.23.2011

Genesis Valencia

Expanding the Walls participant, born 1993 LaGuardia Arts High School, New York, NY

Hands With a Heart, 2011
Genesis Valencia Expanding the Walls participant, born 1993 LaGuardia Arts High School, New York, NY Hands With a Heart, 2011 

I was walking along the streets of Harlem when I heard the sound of drums fill the air. I made my way toward the music and was pleasantly surprised to find this group of men sitting under the Adam Clayton Powell statue on 125th Street. The group was large—men both young and old laughed and smiled together as their hands tapped rapidly along the drums’ surface. Their cheer was contagious; a crowd formed as the music brightened the environment. Onlookers clapped and cheered as the festive drumming brought warmth to their souls. Even I, tired as I was, tapped my feet and moved to the rhythm. I quickly brought out my camera and began to snap pictures. This is Harlem, I thought, a world of its own full of culture, color and energy.

Tribble & Mancenido

James Frank Tribble (Born 1983, Columbia, SC) Tracey Mancenido-Tribble (Born 1980, Staten Island, NY) Live and work in Jersey City, NJ

I Love You, Harlem, 2011
Tribble & Mancenido James Frank Tribble (Born 1983, Columbia, SC) Tracey Mancenido-Tribble (Born 1980, Staten Island, NY) Live and work in Jersey City, NJ I Love You, Harlem, 2011 

We created a “Found In Harlem” series focusing on the commodities one finds on 125th Street—African fabrics, incense and oils, books, mix-tape-style CDs, etc—staying clear of the corporate chain stores that are dramatically altering the landscape. We felt that it was important to document what has made, and continues to make Harlem so unique. These individual merchants and their goods are a large part of that. I Love You, Harlem is a celebration of Harlem as a place and an idea, in both past and present.

Senetchut Floyd

Expanding the Walls participant, born 1995 Kamit Preparatory Institute, Brooklyn, NY

Faceless, 2011
Senetchut Floyd Expanding the Walls participant, born 1995 Kamit Preparatory Institute, Brooklyn, NY Faceless, 2011 

St. Nicholas and West 125th Street. I sit here watching the people, calling out to them, calling for them to come and read me or have a conversation, but no one comes, no one notices me. I am faceless.

Phillip Pisciotta

Born 1970, Bryn Mawr, PA Lives and works in New York, NY

What Is Won by “Continuing to Play,” East Harlem, NYC, 2006
Phillip Pisciotta Born 1970, Bryn Mawr, PA Lives and works in New York, NY What Is Won by “Continuing to Play,” East Harlem, NYC, 2006 

This photograph was taken quickly. There is nothing canned about it. The man in the photograph lived down the street from me. I had attempted to photograph him a number of times, but the information in the frame of the photograph(s) didn't quite come together. Sometimes it is helpful for an artist to stay in an area—to saturate. But other times it can make work tired and stale. As luck would have it, the potential of the image presented itself, and I had my camera with me.