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Join Us For Target Free Sundays!

For the past two months, Sunday has easily been my favorite day of the week. Not burdened by the confines of a classroom desk or having to run the miscellaneous errands that mark adulthood, Sunday has become a welcomed reprieve from ordinary day-to-day life, allowing me to spend my day doing what I love the best: engaging people in hands- on-art activities and conversations about art.

A New Yorker Heads West

An Art-Filled L.A. Weekend

  • Me inside Chris Burden’s Urban Light (2008) LACMA installation

It was with great excitement that I traveled to Los Angeles two weekends ago to participate in the kick-start of Pacific Standard Time: Art in L.A. 1945-1980, a six-month initiative highlighting the rich and evolving art scene of this vibrant city. Having been born and raised in New York City, I have come to cherish its unique cultural history—claiming “Museum Mile” as my own backyard and its prestigious museums as my playground. Yet while inherently proud of New York-centric cultural movements such as the Harlem Renaissance and abstract expressionist painting, arts of the West Coast have always held a strong element of intrigue for me as well: pop, performance, conceptual art, collaboration! It was thus with keen anticipation that I embarked upon finally experiencing this Western cultural locus in person.

The Artist's Voice: Spiral Icon Emma Amos

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  • Emma Amos
    Work Suit, 1994
    Courtesy the artist

    Based on a Lucien Fraud self portrait, Amos paints her head on Fraud’s nude body as a reaction against the privileges of white male artists.

  • Emma Amos
    Yo Man Ray Yo, 2000
    Courtesy the artist

    In response to Man Ray’s Noire et Blanche (1926), Yo Man Ray Yo (2000) depicts two women –both beautiful in their own respects—who gaze at each other and affirm that women are real, not objects.

Esteemed artist Emma Amos and Assistant Curator, Lauren Haynes were the latest to sit down for The Artist’s Voice, a conversation series at the Studio Museum on Thursday, September 29th.

If you are a fan of Emma Amos, then you know that the she is anything but ordinary. The artist, like her work, is vibrant, poignant, and remarkably expressive.

Performa 09: Back to Futurism

RoseLee Goldberg in conversation with Shirin Neshat and Wangechi Mutu

  • Left to right: Shirin Neshat, Wangechi Mutu, RoseLee Goldberg
    Photo: Eric Booker

Celebrating the newest publication by Performa Founding Director and Curator RoseLee Goldberg, Performa 09: Back To Futurism surveys the New York visual art performance landscape as it was during the last Performa biennial in 2009. Though it might seem a bit belated for the release of such a book, Goldberg’s intent is not just for the present, but for the “art historians of the future,” thirty years from now, who will use documents like this and the two previously published volumes to get a snapshot of what was going on with live performance art in 2009.

The Romare Bearden Commemorative Stamps Unveiling

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  • Courtesy the United States Postal Service

  • E.T. Williams, Chairman of the Board of Directors of the Romare Bearden Foundation and Thelma Golden, Director and Chief Curator of the Studio Museum Courtesy of the Harvey B. Gantt Center

  • Romare Bearden The Block, 1971 Courtesy of the Harvey B. Gantt Center

  • Audience members at the Romare Bearden commemorative stamps unveiling singing "Lift Every Voice and Sing" Courtesy of the Harvey B. Gantt Center

Last Wednesday the Schomburg Center was packed with energy as a multitude of guests eagerly anticipated the unveiling of four stamps honoring Romare Bearden. On the centennial of the artist’s birthday, cultural institutions all over New York City are commemorating Bearden and his powerful creative legacy. Currently on view at the Studio Museum is the majestic black and white Conjur Woman, 1964, created while Bearden was part of the historic Spiral group dedicated to the political and gallery representation of black artists.

Live from Pacific Standard Time

A healthy contingency of Studio Museum representatives flew to Los Angeles this weekend to check out Pacific Standard Time: Art in L.A. 1945-1980, a region-wide initiative to celebrate the birth of the L.A. art scene. Funded by The J. Paul Getty Trust, 60+ cultural institutions in Southern California are simultaneously showcasing exhibitions that highlight major L.A. art movements from 1945-1980.

  • Betye Saar

    Indigo Mercy, 1975

    Collection of The Studio Museum in Harlem

    Gift of the Nzingha Society, Inc.

Rico Gatson

Three Trips Around the Block

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  • Rico Gatson

    Nape of the Neck, Small of the Back, 2006

    Museum Purchase  07.11.1

  • Rico Gatson

    Spirit, Myth, Ritual, Liberation (Video Still), 2008

     

Rico Gatson opens his mid-career retrospective entitled Three Trips Around the Block tonight at Exit Art. A frequent exhibitor at The Studio Museum in Harlem, Gatson participated in the groundbreaking group show Freestyle (2001), curated by Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem. Gatson's work - videos, performances, sculptures and paintings oftentimes dominated by kaleidoscopic imagery and high-contrast patterns - conceptually mines the process of mourning and liberating tragic African American histories.

Pacific Standard Time

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  • David Hammons
    Bag Lady in Flight, c. 1970
    Collection of Eileen Harris Narton, Santa Monica, CA
    Courtesy the Hammer Museum, Los Angeles

  • Dale Brockman Davis
    Swept, 1970
    Blocker Collection c/o Rick Blocker
    Courtesy the Hammer Museum, Los Angeles

  • Betye Saar
    Black Girl's Window, 1969
    Collection of the artist
    Courtesy Michael Rosenfeld Gallery, LLC, New York

In honor of the launch of the Pacific Standard Time initiative this weekend, we're reproducing an article from the current issue of Studio magazine that highlights two of the incredible exhibitions that anyone in the Los Angeles area must not miss!

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Lyle Ashton Harris in conversation

with Nancy Barton, Jim Hodges and Shirin Neshat

Enjoy a clip from last week's The Artist's Voice featuring Lyle Ashton Harris in conversation with artists Nancy Barton, Jim Hodges, Shirin Neshat and Studio Museum Exhibition Coordinator and Program Associate Thomas J. Lax! 

 

Smithsonian Magazine Museum Day Is Almost Here!

The Studio Museum is thrilled to announce our participation in the 2011 Smithsonian magazine Museum Day, September 24, 2011! Along with hundreds of other participating institutions across the nation, we will provide free admission to visitors who present a Museum Day Admission Ticket, available for download free of charge on the Museum Day website. Download your ticket now and join us on Saturday!

For more information on participating venues and Museum Day events, visit the website, follow @MuseumDay on twitter, or visit the Faceboook page.