On March 28, guests were invited to preview the Spring 2012 Exhibitions and Projects: Shift: Projects | Perspectives | Directions; Ralph Lemon: 1856 Cessna Road; and Harlem Postcards. Highlights include work by artists Nayland Blake, Jennie C. Jones, Lorraine O’Grady, John Outterbridge and Jacolby Satterwhite, as well as recent contributions to The Bearden Project. A wonderful and refreshing preview to kick off the Spring season!
The public response to the Kehinde Wiley show at the Jewish Museum, The World Stage: Israel has sparked interest in his earlier body of works, which is fantastic! We are always excited to see interviews and footage resurface so we can reflect on an artist's work.
Kira Lynn Harris's The Block | Bellona is one of those works of art you can look at again and again and always see something new. Inspired by another of my favorite blocks, I decided to enumerate a few of these things! In The Block | Bellona you'll find:
- 68 windows (but only 5 shades!)
- 11 doors
- 5 angels
- 5 cars
- 3 birds
- 2 cats
- 1 fence
- 1 TV
- 1 light bulb
(I didn't count the bricks!)
Jennie C. Jones Installation [Photos]
The installation for Spring 2012 shows continue! Enjoy more exclusive, behind-the-scenes photos documenting Friday's installation of Jennie C. Jones' site specific artwork, Objects.
Spring exhibitions and projects open Thursday, March 29. Click here for more info.
John Outterbridge Installation [Photos]
The Studio Museum gears up for Spring exhibitions and projects opening next Thursday, March 29. Enjoy these exclusive, behind-the-scenes photos documenting John Outterbridge, installing his site specific artwork, The Rag Factory.
Portraiture Then and Now 2001-2012
Our Communications Office is populated with many, many publications: archive issues of Studio, press clippings, newspapers, magazines, press releases...but our favorite publications often come in colorful, lavish packaging with pages so captivating we are always eager to discuss. The books featuring our artists always grab our attention, and the new profile of Kehinde Wiley (2012), which will be published later this spring, is no exception. We are pleased to share a preview of the newest book about Wiley’s extraordinary portraiture, which he commenced in 2001 while in residence at our Museum, and the World Stage series, which brought him acclaim.
at The Metropolitan Museum of Art
Last seen in the spring of 2010, Romare Bearden’s The Block (1971) is on view at The Metropolitan Museum of Art in celebration of the centennial of his birthday. On the eve of his first museum retrospective at the Museum of Modern Art in 1971, Bearden was seated in writer and close friend Albert Murray’s apartment, as he recorded the view of Lenox Avenue between 132nd and 133rd streets in a series of sketches, which informed the process for the six paneled, 18 foot wide triumph, The Block.
Kehinde Wiley Preview | The Wind Up at The Jewish Museum
One amazing truth about Hip-Hop music is that it has the power to embed itself anywhere in the world and become part of a global urban culture. Drop a beat, enter your language here, and it becomes a vessel, a mirror of whatever you want it to be. Last night at The Jewish Museum, Hip-Hop reflected a beautiful mix of language, religion, art and culture in The Wind Up. Israel and Hip-Hop were all wrapped up in one beautiful package inspired by Kehinde Wiley’s newest exhibition, The World Stage: Israel, at The Jewish Museum.
Beginning Thursday, March 8, Piers 92 and 94 will house the Armory Show, a leading international modern and contemporary art fair. Now in its fourteenth year, the Armory Show 2012 offers a more diverse and comprehensive representation of the global art world than ever before. Unique to this year, the fair will feature 2012 Commission Artist Theaster Gates, while the Amory Focus will highlight contemporary art from the Nordic countries. Gates is an artist and cultural planner whose practice ranges from sculpture to installation and performance to urban intervention. Through the re-purposing of historical objects and contemporary sites, Gates activates the memories and ephemera of our past to generate a provoking yet poetic understanding of cultural moments and spaces today.