We are officially gearing up for our Summer 2012 Exhibitions and Projects featuring Caribbean: Crossroads of the World, Primary Sources: Artists in Residence 2011-12, Illuminations: Expanding the Walls 2012, and Harlem Postcards Summer 2012 opening Thursday, June 14!
Assistant Curator Naima Keith Attends "Made in L.A." Opening
Last week, I swapped coasts to attend the opening of “Made in L.A. 2012,” Los Angeles’s first biennial. “Made in L.A. 2012”—collaboratively organized by the Hammer Museum and LAXART—is an exciting survey of contemporary artistic production in L.A., exhibiting new work from sixty emerging and under-recognized artists produced for the biennial. Although many of the participating artists share the same zip code, their work is incredibly diverse spanning all imaginable themes and mediums—imbuing this LA-based exhibition with international relevance. Matching the immensity of the L.A. landmass, the large-scale exhibition is installed in three different locations throughout the city: The Hammer Museum in Westwood, LAXART in Culver City, and the Department of Cultural Affairs Gallery in Barnsdall Park.
in conversation with Lauren Haynes
In case you missed The Artist's Voice featuting Kira Lynn Harris in conversation with Assistant Curator Lauren Haynes last month, check it out here!
On March 29, 2012 Assistant Curator Lauren Haynes sat down with Kira Lynn Harris to discuss her current exhibition Kira Lynn Harris: The Block | Bellona. In this exhibition, Harris reimagines The Block (1971), Romare Bearden’s iconic, six-panel, eighteen-foot-long collage depicting life in Harlem. With The Block as a touchstone, Harris, whose interdisciplinary practice mixes video, photography, drawing, painting and site-specific installation, creates a scene of a contemporary, alternate Harlem.
at Lumen Gallery, NYC
April 23, 2012 marked Arts & Minds’ first-ever exhibition opening at Lumen Gallery in New York City, celebrating the artwork created by the program’s participants at The Studio Museum in Harlem over the course of the year.
In the Fall of 2011, program participants dove deep into collage, inspired by the Studio Museum's Fall exhibition, The Bearden Project. Watercolors, newspaper, and even natural materials such as eucalyptus and twigs were used to interpret the participant’s own creative responses to various works from The Bearden Project. The evolution of the participants' technique and ability was clearly visible that night, and the framed artworks were proof of how powerful art can be as a therapeutic tool. Meanwhile, the artists behind the artwork glowed with pride.
The Board of Trustees and staff of The Studio Museum in Harlem salute the life and legacy of Elizabeth Catlett, one of the most exceptional artists of our time. Her incomparable commitment to art, education and activism will influence and inspire generations to come, and she will be deeply missed. Our sincere condolences to her family.
Read more from The New York Times.