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Jennie C. Jones on Soundcheck

Joyce Alexander Wein Prize winner in conversation with John Schaefer

  • Jennie C. Jones
    Soft Gray Tone with Reverberation, 2013
    Acoustic sound absorbing panel and acrylic on canvas, 48 x 36 inches
    Courtesy the artist

Kwanzaa Community Quilt Project 2011

  • Kwanzaa Community Quilt Project 2011–12
    Photo: Sophia Bruneau

Visit the Museum Store now through December 31, 2012 to view the culmination of the 2011 Kwanzaa Community Quilt Project. Members and visitors to the Studio Museum began constructing the quilt December 2011 during Target Free Sunday workshops to celebrate the core Kwanzaa values of Culture, Creativity, and Unity. Interest grew and the project continued until August 2012 under the volunteer leadership of Ife Felix, founding member of the Harlem Girls Quilt Circle. We hope all will enjoy this labor of love and community.

Robert S. Duncanson

An Antebellum African-American Artist

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  • Robert S. Duncanson
    Landscape Mural (depicting a wilderness scene with twisting, rotting tree trunks and a swiftly flowing river), ca. 1850-52
    Courtesy Taft Museum of Art, Cincinnati
     

  • Robert S. Duncanson
    Landscape Mural (with gently flowing river flanked by two trees), ca. 1850-52
    Courtesy Taft Museum of Art, Cincinnati

  • Robert S. Duncanson
    Land of the Lotus Eaters, 1861
    Courtesy Taft Museum of Art, Cincinnati

  • Foyer of the Taft Museum of Art, Cincinnati, Ohio
    Courtesy Taft Museum of Art, Cincinnati

There are only two weeks left to see a fantastic exhibition here in New York City: Robert S. Duncanson: An Antebellum African-American Artist, on view at Columbia University’s Miriam and Ira D. Wallach Art Gallery through December 8.

Fore

Caitlin Cherry

Videography and Score by Kevin Brisco

Frieze London 2012

Artist Highlights

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  • Lorna Simpson
    Untitled (Ebony and Jet), 2012 and details
    Photos: Katherine Finerty

  • Chris Ofili
    Golden Angel One, 2012 and Golden Angel Three, 2012
    Photos: Katherine Finerty

  • Chris Ofili
    Ovid-Callisto, 2011-12 and Untitled, 1998-99
    Photos: Katherine Finerty

  • Isaac Julien
    Yishan Island, Voyage (Ten Thousand Waves), 2011
    Photo: Katherine Finerty

  • Lynette Yiadom-Boakye
    [L-R]: Clarity in Waiting, 2012, Songs in the Head, 2012 and Oyster, 2012
    Photos: Katherine Finerty

  • Theaster Gates
    Horizon, 2012 and Urban Particulate, 2012
    Photos: Katherine Finerty

  • Julie Mehretu
    [L-R]: Untitled, 2002, Untitled, 2002 and Untitled, 2002
    Photos: Katherine Finerty

  • Mark Bradford
    Spiders Feet, 2012 and detail
    Photo: Katherine Finerty

This past month London was bustling with art openings, projects, and performances, all a part of a phenomenon known as “Frieze.” From October 11–14, Regent’s Park played host to the Frieze art fair, presenting over 170 international contemporary galleries as well as a prestigious program of artist commissions and talks. Now in its tenth edition, Frieze London continues to be one of the art highlights of the year, generating a week filled with not only lucrative transactions, but also creative expression and critical awareness.

Notably, works by many Studio Museum in Harlem artists were prominently featured throughout the fair grounds. Here are some highlights of pieces by artists involved at the Museum, either through being represented in our Permanent Collection or having participated in our acclaimed Artist-in-Residence program. Enjoy!

The Bearden Project

Featured Store Item!

The newly released The Bearden Project is the capstone of the Studio Museum’s exhibition by the same name—celebrating the centennial of Romare Bearden’s birth. It includes all 100 works inspired, informed, and influenced by Bearden, as well as artist statements detailing exactly how the iconic pioneer affected their work. The intergenerational group of artists, working with an array of mediums, includes some privileged to have known Bearden personally and others who encountered his work through later exhibitions. As museum director Thelma Golden points out, “What these artists share… is an awareness of the crucial importance of Bearden’s contributions to their development, both institutionally and creatively, as visual artists.”

Sneak Peek Fall/Winter 2012 [Photos]

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  • Installation of Jennifer Packer's work for Fore.
    Photo: Dominic Hackley

  • Installation of Sienna Shield's work for Fore.
    Photo: Dominic Hackley

  • Photo: Dominic Hackley

  • Installation of Narcissister's work for Fore. 
    Photo: Dominic Hackley

  • Photo: Dominic Hackley

  • Installation of Kianja Strobert's work for Fore.
    Photo: Dominic Hackley

Get a behind-the-scenes look at our Fall/Winter 2012–13 Exhibitions and Projects featuring Fore, Gordon Parks: A Harlem Family 1967, Harlem Postcards Fall 2012 and Harlem Postcards: Tenth Anniversary opening Sunday, Novemer 11!

Fall/Winter 2012–13 Exhibitions and Projects will now open Sunday, November 11th

*UPDATE*

Due to the recent weather conditions, The Studio Museum in Harlem’s Fall/Winter 2012–13 Exhibitions and Projects, including Fore and Gordon Parks: A Harlem Family 1967, will now open on November 11, 2012, instead of November 8, as previously announced. We look forward to updating you soon with more news.

The Museum staff and board send best wishes for the safety and well-being of all our friends, neighbors and colleagues.
 

In Conversation with Kura Shomali

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  • Kura Shomali
    Untitled (Boxeur), 2011-2012
    Courtesy of Jack Bell Gallery

  • Kura Shomali
    Sans titre (L'homme à la fleur), 2011
    Courtesy of Jack Bell Gallery

  • Kura Shomali
    Untitled (Malik), 2011
    Courtesy of Jack Bell Gallery

  • Kura Shomali
    Untitled, 2011
    Courtesy of Jack Bell Gallery

  • Kura Shomali
    Untitled, 2011
    Courtesy of Jack Bell Gallery

  • Cassius Clay Ali Boom Boom Ye (installation view), 2012
    Courtesy of Jack Bell Gallery

For Kura Shomali, an artist living and working in Kinshasa, Congo, L’art est une camisole et je ne sais comment la porte; une peur intérieure de ne pas pouvoir répondre aux peurs collectives. Seul l’art pourra l’apaiser.

"Art is a straight jacket and I do not know how to wear it; an inner fear of not being able to meet the collective fears. Only art can soothe."

Dispatch from dOCUMENTA (13)

Will Rawls in Conversation with Thomas J. Lax

Dancer and choreographer Will Rawls (b. 1978) recently finished performing in British-German artist Tino Sehgal’s (b. 1976) This Variation, in dOCUMENTA (13). Founded in 1955 in the wake of World War II, documenta is an exhibition of international contemporary art occurring every five years in Kassel, Germany. In This Variation, audience-members enter a darkened room in Hugenottenhaus, a disused building in Kassel constructed by migrant workers in the early nineteenth century. A group of contemporary dancers, singers, musicians, physical theater actors and a mime respond with sounds, speech fragments and movement phrases, what Rawls calls a “dramaturgy of events”. The work is made live, as the order, volume, and direction of the dramaturgy are decided by and communicated amongst the dancers in direct response to the audience.