Results from Our First Weekly Twitter Contest
We're thrilled with the results of our first Feature Friday Twitter contest! @marcy_s was our first winner, correctly guessing that the first detail was from Dave McKenzie's Self-Portrait Piñata, 2002. McKenzie was a 2003-2004 artist in residence and if you love his work as much as we do, you'll definitely want to buy one of his Studio (un)framed editions.
Emerging Artists of Color
In celebration of the museum's fifth anniversary, this stunning exhibition of works from the Nasher's permanent collection features a variety of contemporary artists of African descent.
Building the Contemporary Collection: Five Years of Acquistions will be on view through August 14, 2011 at the Nasher Museum of Art at Duke University.
A New Weekly Twitter Contest
Do you follow us on Twitter? If not, you might miss out on our exciting new Feature Friday Twitter contest, starting today! Each Friday, our avatar (the icon next to our name) will change to a detail of an artwork in our permanent collection. It’s up to you to scour the permanent collection section of our website, here, to find the piece. The first person to tweet us, correctly identifying the artwork, will receive free admission for two guests! So, head to our Twitter page now the see what our avatar is today. Happy hunting!
Saya Woolfalk's Diorama for Empathic Life
Visit the Museum Store and you might suspect that you’ve stumbled upon a rift in the space time continuum. In an area where you previously would have found our usual displays of fantastic books, jewelry and gifts, you’ll encounter mysterious figures clad in elaborate costumes, emerging from an other-worldly terrain.
Performing with Benjamin Patterson
This video documents Saya Woolfalk performing the score, Ring Small Bell from Benjamin Patterson's Methods and Processes, 1962, and the audience performing Patterson's Paper Piece, 1961, at the Studio Museum, March 31, 2011.
A Personal Perspective on Benjamin Patterson
After last week's Benjamin Patterson performance, I asked one of the fearless audience volunteers, Matthew D. Morrison--a Ph.D. Candidate in Historical Musicology at Columbia University--if he would share his experiences performing one of Patterson's scores from Methods and Processes, 1962. Being such a good sport, he said yes, and I am happy to share his reflections with you.
Performing with Benjamin Patterson
If you attended last night's unclassifiable performance/discussion with Benjamin Patterson and Valerie Cassell Oliver, you know exactly how fun it was. If you missed it, kick yourself now. It was my favorite type of public program, where you learn a lot and laugh even more! Mr. Patterson spoke charmingly and elequently about his amazing work and his many adventures--which would have been a great program in itself--and then challenged the entire audience to participate in perfoming some of his scores. And perfrom we did! In the next blog post, look for a first-person account by one of our brave soloists, Matthew D. Morrison, who will never think of a beet the same way again.
AIR Kamau Amu Patton Collaborates with ETW Students
Recently, I facilitated a workshop with the museum’s Expanding the Walls Youth Program. Totally fun! Thank you to all the students who participated. Gerald Leavell and I had a few conversations prior the workshop about what that afternoon could look like. After continued discussion about themes, we decided on “building creative communities” as the idea that would inform our activity. We presented the group with a variety of underground artists produced zines and videos from my collection. The discussion that followed focused on the power of such objects to voice the spirit of a creative community. Then, we made a zine!
Civil Rights-Era Photographs from Edmund Carpenter and Adelaide de Menil
This striking collection of photographs features images captured during the height of the radical changes brought on by the 1960s Civil Rights movement.
The Whole World Was Watching: Civil Rights-Era Photographs will be on view through September 25, 2011 at The Menil Collection in Houston, Texas.
Elizabeth Catlett's Forever Love
At the request of the artist, Ellen Sragow curated this wonderful exhibition, which brings together Catlett's iconic Sharecropper images, as well as other, rarely seen works.
Digame: Elizabeth Catlett's Forever Love will be on view through May 25 at the Neil L. and Angelica Zander Rudenstine Gallery, W.E.B. DuBois Institute for African-American Research, Harvard University.