The Evolution of Museum Missions
“How do we keep museums relevant and essential to our cultural landscape and life?” This was the fundamental question driving the Art Basel Conversation “The Evolution of Museum Mission” between four contemporary art museum directors on Friday December 2nd in Miami. Author and Arts Consultant András Szántó moderated the four female directors (including Studio Museum Director Thelma Golden), stating that there has been more change in the art world and museum institutions in the past 10 years than in the past 100 years. This notion is especially applicable for contemporary art museums: given their topical focus, they encompass perhaps the most sizable and accelerated evolutions in terms of not only art representation, but also mission.
Against the Tides of Globalization
Acclaimed British filmmaker and installation artist Isaac Julien turns primarily to visually elaborate and technologically sophisticated installations of the moving image to express his urgent fascination with global human movement. Columbia University’s recent World Leaders Forum teamed up with the Mellon Visiting Artist & Thinkers Program to host a talk by Isaac Julien with Carol Becker, Dean of Faculty of the School of the Arts. Dean Becker highlighted this unique choice of featuring an artist for the World Leaders Forum – proclaiming that geopolitically-minded and creative innovators, such as Julien, are particularly significant cultural leaders today.
Thelma Golden in Conversation with Rico Gatson at Exit Art
Rico Gatson sees the potential for art in everything: he allows his everyday experiences to inspire his work. Recently at Exit Art, Gatson and Thelma Golden, Director and Chief Curator at the Studio Museum in Harlem, treated an audience to an engaging conversation about Gatson, his artwork, and his influences. Three Trips Around the Block, now on view at Exit Art, is a survey of 15 years of Gatson’s work.
Where Style Meets Substance
Who, What, Wear: Selections from the Permanent Collection, opening this Thursday at the Studio Museum in Harlem, frames style as substance. This exhibition aims to question how what one wears ultimately fashions the body as a symbolic vessel of meaning. Whether this meaning be social, cultural, or political, the clothing we put on our bodies speaks loudly – and if desired, proudly.
Dr. Robert Farris Thompson in conversation with Dr. Lowery Stokes Sims
“If you don’t know by now, don’t mess with it,” Dr. Robert Farris Thompson stated at the start of his program at the Studio Museum two weeks ago –followed quickly by a spirited promise that he was, indeed, going to “mess with it.”
“It” being, of course, the topic of the evening: Afro-Atlantic art. Last Thursday the Studio Museum galleries were filled to the brim with guests, eager to hear from two of the most prestigious art historians of our time. On the occasion of the release of Dr. Thompson's Aesthetic of the Cool: Afro-Atlantic Art and Music, the author sat down with Dr. Lowery Stokes Sims, Curator at the Museum of Arts and Design, New York, and former Studio Museum President, to discuss his concept of the “cool” in Afro-Atlantic culture.
As October comes to a close and we say goodbye to the wonderful works in our summer exhibition season, we at the Studio Museum would like to say THANK YOU to all the wonderful friends and families who joined us for Target Free Sunday this season!
Whether making insightful comments about the works on view or sharing your creativity with us by donating your beautiful masterpieces to the Museum, we sincerely thank you for sharing your Sundays with us. For our fall/winter exhibition season, we will continue to have activities for all ages to enjoy including tours of our new exhibitions, hands-on activities such as greeting card making for the holidays, and a few other surprises!
Every once in a while, we are gifted with an exhibition that reminds us just how spectacular black art can be—30 Americans is that exhibition. Now on display at the Corcoran Gallery in Washington D.C., 30 Americans features 76 works from the Rubell Family Collection by 31 black artists—many of whom sparked my interest in art.
Imagine three decades of artwork created by some of America’s most influential artists; the show was grand to say the least. It’s hard to pick highlights from a show with so many fantastic works, but visitors flocked to works by Kehinde Wiley, Nick Cave, Jean Michel Basquiat and Mickalene Thomas.
For the past two months, Sunday has easily been my favorite day of the week. Not burdened by the confines of a classroom desk or having to run the miscellaneous errands that mark adulthood, Sunday has become a welcomed reprieve from ordinary day-to-day life, allowing me to spend my day doing what I love the best: engaging people in hands- on-art activities and conversations about art.
Esteemed artist Emma Amos and Assistant Curator, Lauren Haynes were the latest to sit down for The Artist’s Voice, a conversation series at the Studio Museum on Thursday, September 29th.
If you are a fan of Emma Amos, then you know that the she is anything but ordinary. The artist, like her work, is vibrant, poignant, and remarkably expressive.
Last Wednesday the Schomburg Center was packed with energy as a multitude of guests eagerly anticipated the unveiling of four stamps honoring Romare Bearden. On the centennial of the artist’s birthday, cultural institutions all over New York City are commemorating Bearden and his powerful creative legacy. Currently on view at the Studio Museum is the majestic black and white Conjur Woman, 1964, created while Bearden was part of the historic Spiral group dedicated to the political and gallery representation of black artists.