Curatorial Intern Margo Cohen Ristorucci checks out Jacolby Satterwhite's latest project, Grey Lines
Over the past two months, Jacolby Satterwhite has transformed Recess Activities’s Soho space into an interactive performance, inviting passersby to act out his mother Patricia Satterwhite’s schematic drawings for Grey Lines—the newest work in his series, The Matriarch’s Rhapsody (2012). Recess’s primary program, Session, grants artists funding and access to its Soho and Red Hook locations to use as studios, exhibition venues or hybridized spaces of artistic experimentation. Over the course of his Session (August 17–October 12, 2013), Satterwhite created a 3D animated video incorporating drawing, CG animation and improvised or mediated performance.
Communications Assistant Kimberly Drew on her visit to Rashaad Newsome’s solo exhibition at the New Orleans Museum of Art
I really wish I had heeded everyone's warnings when I embarked on my vacation to New Orleans. Friends said, "You'll love it there" and "Prepare for the best time of your life!" No one said, "Kim, prepare yourself for depression of massive proportions as your board your plane back to JFK..."
A week before my flight, I drafted my itinerary - I knew I'd have to see Rashaad Newsome's King of Arms at the New Orleans Museum of Art (NOMA) and eat a po' boy. I didn't want to get too ambitious heading to a new city without a plan for transportation. My primary goal was taking it easy in the “Big Easy”.
We’re excited to announce that a tumblr page accompanying the Fall/Winter 2013–14 Studio Museum exhibition The Shadows Took Shape launched today!
The Shadows Took Shape on tumblr will serve as a source for the Afrofuturist aesthetics featured in the exhibition and beyond. Stay tuned on tumblr for information about public programming, book club meetings and more! Each month we’ll have a guest blogger share their inspirations and favorite Afrofuturistic ephemera. (Note: You don’t have to have a tumblr account to view the tumblr page)
The American Folk Art Museum’s exhibition on Bill Traylor, perhaps the most extensive to date and certainly the most in-depth consideration of his work in a New York museum, is the final justification of Traylor as a canonical self-taught artist. It is also an emphatic validation for Charles Shannon, who “discovered” Traylor in 1939 and began archiving his work. His persistent efforts to exhibit Traylor and garner appreciation for his work in cultural institutions are thoroughly discussed in the exhibition. In this, the exhibition is nearly a double homage: to the artist and to the preserver.
A career retrospective of the fashion designer Stephen Burrows opened at the Museum of the City of New York this spring and has been the most current highlight in the over 40-year career of a designer who has seen many highlights.
radicalpresenceny.org, the website accompanying the forthcoming Studio Museum exhibition (co-presented with the Grey Art Gallery at NYU), Radical Presence: Black Performance in Contemporary Art has launched today!
On Wednesday, March 27, guests were invited to preview the Studio Museum's Spring 2013 Exhibitions and Projects: David Hartt: Stray Light, Fred Wilson: Local Color, Ayé A. Aton: Space-Time Continuum, Mendi + Keith Obadike: American Cypher, Assembly Required: Selections From the Permanent Collection, Brothers and Sisters, and Harlem Postcards: Spring 2013.
A brief look into Untitled (Structures): Leslie Hewitt in collaboration with Bradford Young
Former Studio Museum artist-in-residence and 2010 recipient of the Joyce Alexander Wein Prize, Leslie Hewitt (b. 1977) brings a fresh and dynamic perspective into how we visually experience our history in her new film installation, Untitled (Structures) (2012), at the Menil Collection in Houston.
Former Studio Museum in Harlem artist-in-residence, Terry Adkins, brings together thirty years of work for his new installation at the Tang Teaching Museum at Skidmore College in Saratoga Springs, NY.
The works of art in Recital pay homage to the legacies of Bessie Smith, W. E. B. Du Bois, John Brown, Matthew Henson and John Coltrane, among others. Adkins’s creative research sheds light on lesser-known aspects of their biographies, such as Jimi Hendrix’s military training as a paratrooper in the 101st Airborne, or the question of Beethoven’s Moorish ancestry. In his sculpture, photography, and video, Adkins transforms and re-purposes a range of found materials, archival imagery, and reclaimed actions in a process that he calls potential disclosure.