Past

Trenton Doyle Hancock Skin and Bones, 20 Years of Drawing
Mar 26, 2015 - Jun 28, 2015
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  • Trenton Doyle Hancock
    …And Then It All Came Back to Me, 2011
    Mixed media on paper
    9 × 8 inches
    Collection KAWS, New York
    Courtesy the artist and James Cohan Gallery, New York

  • Trenton Doyle Hancock
    Cave Scape #3, 2010
    Ink on paper
    6 ¼ × 10 inches
    Courtesy the artist, James Cohan Gallery, New York, and Hales Gallery, London

  • Trenton Doyle Hancock
    Goober’s Intrusion, 2006
    Mixed media on paper
    6 ¼ × 10 inches
    Collection Jim and Paula Ohaus, Westfield, New Jersey
    Courtesy the artist and James Cohan Gallery, New York

  • Trenton Doyle Hancock
    Miracle Machine #19 or Whish Wish, 2006
    Graphite, ink, and acrylic on paper
    Collection Anne and Joel Ehrenkranz, New York
    Courtesy the artist and James Cohan Gallery, New York

  • Trenton Doyle Hancock
    Self-Portrait with Tongue, 2010
    Acrylic and mixed media on paper
    11 × 8 1/4 inches
    Collection Charles Dee Mitchell, Dallas, Texas
    Courtesy the artist and James Cohan Gallery, New York

Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing chronicles the foundation and evolution of Hancock’s prolific career. The exhibition is the first in-depth examination of the artist’s extensive body of drawings, collages and works on paper. For over two decades, Hancock has immersed himself in drawing, testing the elasticity of the medium with a keen sense of humor. Hancock was born in 1974 in Oklahoma City, Oklahoma. He lives and works in Houston, Texas. In 2007, Hancock was the recipient of The Studio Museum in Harlem’s Joyce Alexander Wein Artist Prize. Organized by the Contemporary Arts Museum Houston (CAMH), Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing is curated by Valerie Cassel Oliver, Senior Curator. The Studio Museum’s presentation is organized by Lauren Haynes, Associate Curator, Permanent Collection.

Trenton Doyle Hancock: Skin and Bones, 20 Years of Drawing is supported by a generous grant from the National Endowment for the Arts and other supporters of CAMH.