Past

The Shadows Took Shape
Nov 14, 2013 - Mar 9, 2014
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  • Kiluanji Kia Henda
    Icarus 13 (detail), 2008
    Courtesy Galleria Fonti, Naples and Galeria Filomena Soares, Lisbon

  • Harold Offeh
    Covers. After Funkadelic. Maggot brain. 1971 (V2), 2013
    Courtesy the artist

  • Edgar Cleijne + Ellen Gallagher
    Nothing Is ..., 2013
    Courtesy the artists and Hauser & Wirth, New York

  • Wanuri Kahiu
    Pumzi (film still), 2009
    Courtesy the artist

  • Cyrus Kabiru
    Nairobian Baboon (from C-Stunners series), 2012
    Courtesy the artist and Ed Cross Fine Art Ltd
    Photo: Amunga Eshuchi

  • Mehreen Murtaza
    Triptych, 2009/2013
    Courtesy the artist and Grey Noise, Dubai

  • Laylah Ali
    Untitled (from the “Typology” series), 2005
    Courtesy Currier Museum of Art; Museum Purchase: The Henry Melville Fuller Acquisition Fund

  • Installation view of The Shadows Took Shape
    Photo: Adam Reich

  • Installation view of The Shadows Took Shape
    Photo: Adam Reich

  • Installation view of The Shadows Took Shape
    Photo: Adam Reich

  • Installation view of The Shadows Took Shape
    Photo: Adam Reich

  • Installation view of The Shadows Took Shape
    Photo: Adam Reich

The Shadows Took Shape is a dynamic interdisciplinary exhibition exploring contemporary art through the lens of Afrofuturist aesthetics. Coined in 1994 by writer Mark Dery in his essay “Black to the Future,” the term “Afrofuturism” refers to a creative and intellectual genre that emerged as a strategy to explore science fiction, fantasy, magical realism and pan-Africanism. With roots in the avant-garde musical stylings of sonic innovator Sun Ra (born Herman Poole Blount, 1914–1993), Afrofuturism has been used by artists, writers and theorists as a way to prophesize the future, redefine the present and reconceptualize the past. The Shadows Took Shape will be one of the few major museum exhibitions to explore the ways in which this form of creative expression has been adopted internationally and highlight the range of work made over the past twenty-five years.

The exhibition draws its title from an obscure Sun Ra poem and a posthumously released series of recordings. Providing an apt metaphor for the long shadow cast by Sun Ra and others, the exhibition features more than sixty works of art, including ten new commissions, charting the evolution of Afrofuturist tendencies by an international selection of established and emerging practitioners. These works span not only personal themes of identity and self-determination in the African-American community, but also persistent concerns of techno-culture, geographies, utopias and dystopias, as well as universal preoccupations with time and space.

The twenty-nine artists featured in The Shadows Took Shape work in a wide variety of media, including photography, video, painting, drawing, sculpture and multimedia installation. Participating artists include Derrick AdamsJohn Akomfrah, Laylah AliEdgar Arceneaux, Sanford Biggers, Edgar Cleijne + Ellen Gallagher, William Cordova (in collaboration with Nyeema Morgan and Otabenga Jones & Associates), Cristina De Middel, Khaled Hafez, Trenton Doyle Hancock, Kira Lynn Harris, Kiluanji Kia Henda, Wayne Hodge, David Huffman, Cyrus Kabiru, Wanuri Kahiu, Hew Locke, Mehreen Murtaza, Wangechi Mutu, Harold Offeh, The Otolith Group, Robert Pruitt, Sun RaRAMM:ΣLL:ZΣΣ, Lili Reynaud-Dewar, Larissa Sansour, Cauleen Smith, William Villalongo and Saya Woolfalk.

Accompanying the exhibition will be a 160-page, fully illustrated exhibition catalogue (designed by Kimberly Varella of Content Object, Los Angeles), with twenty-nine artist entries and essays by the exhibition’s curators; an introduction by Studio Museum Director and Chief Curator Thelma Golden; and newly commissioned essays by foremost scholars and writers Tegan Bristow; Samuel R. Delany; Paul D. Miller aka DJ Spooky, That Subliminal Kid; Kodwo Eshun; and Alondra Nelson; and a tumblr page, shadowstookshape.tumblr.com.

The Shadows Took Shape is organized by Naima J. Keith, Assistant Curator and Zoe Whitley, independent curator.

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